Some things will not go into a sentence. That is not a reason to stay stuck with them.
Art and creative therapies in the UK
Art and creative therapies use image, material, movement, sound or role alongside the conversation, for people who find that talking is the hardest part of therapy rather than the easy part. In the UK, art therapist, art psychotherapist, dramatherapist and music therapist are titles protected by law and regulated by the HCPC, and this page explains exactly what that does and does not cover. No artistic skill is needed at any point. Online or in-person, free 15-minute discovery call.
Therapists who work this way
One therapist on MatchyMatch is trained in art and creative therapies. Every one is registered with a professional body and checked before they appear.
Nobody is judging the drawing. The drawing is just somewhere for the thing to go while you work out what it is.
"Have you sat in a therapy room, or in front of a screen, with something enormous inside you and absolutely no words available for it?"
When the talking part is the obstacle
For a lot of people, the standard format works. You sit down, you describe what happened and how you feel about it, and describing it is itself useful. For a lot of other people, that is precisely the wall. The question comes, and there is either nothing, or there is far too much and no order to it, or there is a tidy, well-rehearsed account that you can hear yourself giving and know is not the truth.
This happens for very different reasons. Some memories, particularly of things that happened very early or very violently, were never stored as narrative in the first place, so asking for the story asks for something that does not exist in that form. Some people are neurodivergent and find sustained eye contact and improvised speech genuinely costly, so most of their energy goes on the performance of the conversation rather than on the content. Some are children or teenagers who simply do not talk about feelings the way adults expect. Some are articulate adults who talk beautifully and endlessly around the thing, and have been doing so for years.
There is also the shame of it. Saying certain things out loud, to a face, makes them real in a way that feels unbearable, so you steer. You give the version that will not upset anyone, including yourself, and you leave the session feeling vaguely fraudulent.
And a common result is deciding that therapy is not for you, when what was actually not for you was one particular way of doing it.
Putting something between you and the feeling, on purpose
Creative therapies work by adding a third thing to the room: an image, a lump of clay, an instrument, a character, a movement. You are not asked to explain first and then make something. You make something, and meaning tends to arrive afterwards, sometimes in the session and sometimes weeks later. That indirectness is the mechanism, not a decoration on top of it. It lets you approach something at a distance you can tolerate, it gives you a place to put a feeling that does not fit in a sentence, and it produces something you and the therapist can look at together rather than across.
Imagine being understood without having to perform the explanation
Sitting with a therapist, making something, and finding that the difficult thing has quietly turned up on the paper without you having to announce it. Being able to point at it rather than narrate it. Noticing what you keep drawing, or which instrument you always reach for, and realising it has been telling you something for weeks. For some people the words come back afterwards, easier than before. For others they never fully do, and the work happens anyway.
Why art and creative therapies help
They are not a softer version of talking therapy. They are a different route to the same place, and for some people it is the only route that opens.
They do not depend on being able to narrate it
When the difficulty is pre-verbal, fragmented, or simply too frightening to say out loud, being asked for the story can stall therapy completely. Working through an image or a sound sidesteps that requirement. The material carries what you cannot yet put into a sentence, and the sentence often becomes possible later.
The distance is protective
It is easier to say what a figure in a picture might be feeling than to claim the feeling directly, and in dramatherapy easier still to explore it inside a role. Practitioners describe this as working through the metaphor. It lets you go near something without being flooded by it, and you keep control of how close you get and when.
You keep something you can come back to
Unlike a conversation, the work leaves a trace. A folder of images made over several months shows change you had no idea was happening, and a piece made in a bad week can be looked at again from a steadier one. Many people describe this as the most convincing evidence they had that anything was shifting.
How a creative therapy session actually works
The shape varies by discipline and by practitioner, but the following is broadly what to expect, and none of it involves being taught to draw.
An ordinary assessment first
The first session or two looks much like any other therapy: what brings you, what has happened, what you want to be different, plus any risk and medical background. A registered arts therapist will also explain what the work involves and check that it suits you, because for a small number of people, particularly where things feel very unstable, a more structured and containing approach is the safer starting point.
Choosing the medium, or being given a few
Paint, pencil, collage, clay, sand tray, instruments, voice, movement or dramatic role. Some therapists offer a specific invitation, others put materials out and leave the choice to you. Clay and paint tend to pull out different things from the same person, which is itself useful information.
Making, usually without a plan
A good part of the session is spent working, sometimes in silence, sometimes talking while your hands are busy. You are not producing art and nobody is assessing it as art. The therapist is paying attention to the process: what you avoid, where you press hard, what you cover over, when you stop.
Looking at it together, on your terms
Afterwards the therapist may ask what you notice, or what the thing would say if it could speak. You are never told what your image means. Interpretation handed down from the therapist is bad practice in this field, and the useful version is a shared, tentative curiosity in which you have the final say.
Building a body of work over time
Pieces are usually kept safely by the therapist between sessions and revisited. Themes repeat, shift and sometimes resolve. Individual work often runs from a few months to a year or more; groups are common in NHS and school settings and follow a set number of weeks.
Useful resources
Therapy for trauma
Where the memory was never stored as a story in the first place, and being asked to tell it is the thing that keeps stalling.
Therapy for children and teenagers
Younger clients often show what is wrong long before they can say it, which is why creative work is standard in schools and CAMHS.
Therapy for adult ADHD
For neurodivergent adults who find that most of a session goes on managing the conversation rather than on the problem.
What is Art and creative therapies?
Also known as: Art therapy, Art psychotherapy, Creative therapies, Arts therapies
Art and creative therapies are psychological therapies that use a creative medium, visual art, music, drama, dance or play, as a central part of the therapeutic work rather than as a hobby or a class. In the UK the term covers two genuinely different things: the HCPC-regulated arts therapies professions, where the practitioner holds a postgraduate arts therapy qualification and a legally protected title, and the much more common use of creative methods within counselling or psychotherapy by a therapist whose registration is with a body such as the BACP, UKCP or NCPS.
- •Art therapist, art psychotherapist, dramatherapist and music therapist are titles protected by UK law and regulated by the HCPC; using one without registration is a criminal offence
- •HCPC registration requires an approved postgraduate qualification, usually a two-year masters, and can be checked free on the HCPC public register
- •Dance movement psychotherapy and play therapy are not HCPC-regulated and run voluntary registers instead, through ADMP UK and through PTUK and BAPT
- •Creative methods used within counselling by a non-arts-therapist are a legitimate and much more common offering, but are a different thing and carry the counsellor's own registration
- •No artistic ability is required, and the work is never judged as art; the evidence base is smaller and more mixed than CBT's, with NICE recommending arts therapies specifically for the negative symptoms of psychosis and schizophrenia
Why choose MatchyMatch for art and creative therapies?
MatchyMatch is a UK platform for art and creative therapies. Every therapist holds professional registration - with a UK body (BACP, UKCP, HCPC, BPS) or a recognised international body - so you have verified credentials before you ever pick up the phone. Your first 15-minute discovery call with any therapist is free, so you can see if it's the right fit before committing.
- Free 15-minute discovery call before you commit to art and creative therapies
- Verified UK & international credentials (BACP, UKCP, HCPC, BPS, COPSI and others)
- Online or in-person sessions, whichever suits you
- Therapy in English and other languages - including ones the NHS rarely offers
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